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Questo lavoro non concede niente all'estetica e al non necessario
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A young German woman falls in love with a Polish guy
In “Hydroelectric Sublime” the photographers Beatrice Gorelli and Keiichi Kitayama set out to capture the area’s awe-inspiring terrain
Casetas de control or casetas de vigilancia belong to a practice of controlling people in urban areas
Il Giardino Signed Books Questo lavoro non concede nienteI went back to my garden. I like to photograph it, I need it. Something is changed, A small movement, to the surface. I havent moved too much after all. Il Giardino continues the journey that has started with Radici. As in his previous chapter, the narrative is built by following the urgency of a need to accumulate: collecting images that surround and testify the authors daily life. If from one side the language remains faithful to the mechanics of
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